0
SEARCH


VIEW CART



FEATURED ARTICLE
THE CHROMATICS
EDITORIAL BY HAL MARTIN
“I PREFER TO JUST MAKE MY LITTLE CASTLE IN THE GUTTER.”
A Barrage of words can be used to describe the electropop band Chromatics, “divisive” possibly being at the top of the list. With a heavy use of synth and distortion, Chromatics’ produce a sound that’s somehow both assembled and raw, stark and brimming with energy. In a 2011 album review Duncan Cooper of Fader summed this all up perfectly, saying “Here's hoping bare vocals catch on—it just seems so honest. Maybe Kill For Love will inaugurate a sea change where artists come to terms with themselves and start being open about how they sound when they sing.”

After going through several lineup changes, Chromatics’ have steadily been making their mark and evolving their sound. Originally starting as a post punk band, this was ditched in favor of a more pop sound reminiscent of Italian disco.
INSPIRATION
“My favorite songs are always the sad ones.”
- RUTH RADELET
Pitchfork contributor Jess Havell commended this change by calling it “so effortless that it’s still easy to be wowed by the results” when reviewing their 2007 release Night Drive. The mesmerizing final track “Tick of the Clock” most famously accompanied the landmark opening scene from Drive (2011), following Ryan Gosling’s getaway driver through back alleys and side streets as he evades the police.

Their second album Kill For Love was released in 2012 to rave reviews. The opening track “Into The Black” (a Neil Young cover) has popped up in several TV shows including Mr. Robot, 13 Reasons Why and Riverdale. Other tracks off the album appeared in How To Get Away With Murder, Bates Motel, Gossip Girl and Misfits.
Their most recent television presence was on the highly anticipated Twin Peaks revival where they sing their latest song “Shadow” from their upcoming album Dear Tommy.

Chromatics’ tracks tend to have an underlying vulnerability and cascading emotional resonance. For their latest single, designed to be an homage to David Lynch’s Blue Velvet, lead singer Ruth Radelet gazes into the camera wistfully with her heavily lined wide doe eyes framed by an ultra blonde fringe. As she sways to the beat, one can’t help but think how well her croon delicately matches her appearance. She is not trying to be anything more than she is. Despite the simplicity of the videography, there is a depth that continues to steer the band’s uncompromised creative direction and is the corner stone of what makes them so exceptional.

As Johnny Jewel puts it “The mainstream always has one foot in the gutter-- and I represent the gutter. When they're done with you they want something else. I prefer to just make my little castle in the gutter.”

SUBMIT A
TRUE STORY


STORYSUBMISSION
@BLACKMARKETNEWYORK.COM

HOME TRUE STORIES Editorial: The Chromatics